Within the hushed atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is naturally upright, his arms muscular beneath a plain white T-shirt. On stage, dancers can seem like mighty deities, yet frequently offstage they are petite. Not so Ball, whose tall stature is one reason for his demand for princely characters and pas de deux work. With delicate features and piercing eyes, there's a touch of Robert Pattinson about him.
A Seamless Rise to the Top
Now 31, Ball is enjoying the peak of a career that has advanced seamlessly. Raised in Liverpool, he encountered little teasing for his early interest in ballet. Joining the esteemed training institution at 11, he graduated directly into the troupe and was promoted annually, reaching the top rank of lead dancer in 2018. He has relished taking on substantial dramatic roles, especially the psychological angst found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
Ball's next starring role is in a talk, in an "In Conversation" event aiming to offer intimate insights into a performer's craft. He will guide the crowd through a role, demonstrating his cognitive workflow while performance. Yet in lighter works, the test is profound. "Don Quixote is one of the toughest technically," he states.
The Psychological Game and Post-Performance Feelings
What about after a performance, when he has pulled it off? "It feels pretty good," he says. "But because I'm trying to extract all the emotion out of it, and get immersed in the role, quite often I do feel self-conscious afterwards. After an intense role I'm always thinking: Wow, what must people think?"
In person, Ball is reflective, mild-mannered, and quick to laugh at himself. But a choreographer previously remarked on a "sense of suffering in him." Is there? "I'm quite energetic in general, but I do have a dark side," he confesses. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an catalyst for positive change."
Early Motivations and Artistic Influences
Ball's determination originated in youthful setbacks. Not excelling in contests at school made him "vengeful!" It was motivation to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he remembers.
The next endeavor is making his own dance works. In his view, "there's nothing wrong with." "Breaking the conventions is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing ideas from books, music, and art.
Intimate Dance and Private Partnership
He additionally favors presenting dance in smaller spaces. "It was just really exciting," he says of a previous show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"
Ball has created duets with his girlfriend, fellow principal Mayara Magri. The level of trust between them is evident. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." The couple are not typically paired on stage at their home company, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s biggest cheerleader."
On Social Media and Bodily Image
On social media, followers can see videos from his dance films and images that highlight a sculpted physique. Does he mind that the response can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he explains. He relates it to viewing Michelangelo’s David—an object that can be seen on various ways.
Ball characterizes his younger self as "desperate for success." Did it lived up to his expectations? "I am conscious of how reality is a separate thing to the dreams you had as a child," he muses. He probably has another decade of performing ahead. "I guess in the future, I want to be a bit more kind with myself."